Shooting on travel. Photographing in museums

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At architectural shootings it is almost impossible to do without replaceable optics: nearly there is no corner of sight of an objective - and the area ' does not get ', loses completeness. The normal objective will not be possible to remove a moulding, architectural finishing elements close up enough, if at you only. Therefore presence shirokougolnogo and dlinnofokusnogo replaceable objectives necessarily. Besides, steadfast attention to a plan of the architect, to those means which it used, the knowledge of appointment of an architectural construction, an epoch of its creation, a harmonious environment create that initial position of the photographer from which it is possible to create the high-grade image of object.

And what to do with tourists and passers-by, with cars, trolley buses which, precisely having agreed, flash before an objective and cover buildings? Or with wires and cables which accurate lines will cut the future image on pieces? On old cards it is possible to see the deserted areas filled in with the sun and prospectuses. The matter is that at then photographers of endurance at shootings were measured by tens minutes, therefore moving objects simply did not leave a trace on a photographic plate, their images ' were smeared '.

Now endurances last shares of second, but in evening and night hours it is possible to take advantage of this reception, it is natural, if the device to establish on a support. And it is necessary to choose a point and the shooting moment very carefully in the afternoon.

Photographing in museums, at exhibitions, in picture galleries submits to a special mode, whether it be shooting of interiors or exhibits.